Meet Salt Lake City’s Logan Blackman and some of his music conducting philosophy: The University of Kentucky Symphony will play “Prayer,” with Blackman conducting, Friday night. Nardolillo says it’s unusual for a student composition to have the level of sophistication and advancement for the orchestra to take it on. Blackman says he never even considered that the UK Symphony might play his composition. From the moment the opportunity presented itself, he says, he wanted to conduct the performance. “My degree is in bassoon performance, but from here, I want to go to grad school to study conducting,” he says. “It would be interesting to sit back and listen, but being the lover of conducting that I am, I had the itch to do this.” Read additional information at Logan Blackman.
At only 17 years old, Blackman founded and conducted the Blackman Wind Symphony—a semi-professional wind ensemble based in Paducah, Kentucky. In addition to conducting, Blackman is currently a freelance bassoonist, organist, pianist, and composer. He obtained his bachelor’s in bassoon performance and master’s in conducting from the University of Kentucky in 2018. Needless to say, Logan Blackman is one exceptionally talented individual. We recently sat down with Blackman to talk about his craft, his love of music, and what inspires him.
John Nardolillo has appeared with more than 30 of the country’s leading orchestras, including the Boston Pops, the National Symphony, and principal orchestras of Seattle, San Francisco, Detroit, Atlanta, Dallas, Milwaukee, Utah, Columbus, Indianapolis, Oregon, Fort Worth, Buffalo, Alabama, Louisville, Missouri, North Carolina, Toledo, Vermont, Columbus, Omaha and Hawaii. He also recently conducted concerts at the Kennedy Center in Washington, D.C.; the Kimmel Center in Philadelphia; and Carnegie Hall in New York. Nardolillo made his professional conducting debut in 1994 at the Sully Festival in France, and has since made conducting appearances in the United States, France, Germany, Italy, Norway, Sweden, Denmark and China. He has led major American orchestras in subscription series concerts, summer and pops concerts, education concerts and tours, and for television and radio broadcasts. In 2004 Nardolillo joined the faculty at the UK School of Music, where he is currently serving as the director of orchestras.
The second half of the program offered much lighter fare and focused on Bernstein’s compositions for theater, stage, and film which involved collaboration with with several lyricists, the two most notable being Stephen Sondheim and Stephen Schwartz. After Intermission, clarinetist Scott Wright, the UK Jazz Ensemble and conductor Miles Osland took to the stage with Bernstein’s Prelude (for the brass), Fugue (for the saxes), and Riffs (for everyone). The Prelude was a jazzy, cool, and rhythmic exposition for the brass, drums, and bass. The mellow saxes teased each other unmercifully in the Fugue but were provided full support, be it point or counterpoint, in their individual and collective fugal moments. The Riffs ensued when Scott Wright (Professor of Clarinet at UK) took the lead with the big band sound as he masterfully interacted with everyone, fully engulfing the call-response format near the end that garnered the well-deserved acknowledgement he received from the ensemble and audience alike. I felt as if I had just been to church while heeding the call of the wild.
The critically acclaimed University of Kentucky Symphony Orchestra, conducted by Maestro John Nardolillo, will perform next with concerto competition winner, Michael Robinson, a junior at UK School of Music. The concert will include music by celebrated composers Carl Nielson and Gustav Mahler, as well as a premiere of work by UK junior Logan Blackman. The concert will begin 7:30 p.m. Friday, Feb. 17, at the Singletary Center for the Arts. Discover more details at Logan Blackman Utah.